The 2021 Boston International Film Festival, created by Filmmakers Collaborative, took place from November 19-21 at the Regent Theatre in Arlington, Massachusetts. During that time, filmmakers with different levels of experience came together to present their submitted work for the festival’s different categories: student film, student documentary, short film, foreign language film and narrative feature film. I met with three different filmmakers who had presented their work in three of the festival’s different categories. One of the student filmmakers I met was 10-year old Andrew Chan-Possemato, who created a film with his father, Albert, called “The Butler and the Ball,” which he also directed. This was Andrew’s first experience with the process of filmmaking. The two started writing the screenplay when Andrew was just 7-years old and they also starred in the film as the main … [Read more...] about STUDENT FILMMAKERS AND PROFESSIONALS SHOWCASED AT 2021 BOSTON INTERNATIONAL FILM FESTIVAL
Current Exhibits
ARTIST SPOTLIGHT: STEVE IMRICH; HIS “TERRAIN DRAWINGS AND PAINTINGS” ON VIEW AT BROAD INSTITUTE CONNECTOR, SOPRAFINA, CAA & BRICKBOTTOM GALLERIES
The art of Steve Imrich, who works in Cambridge and Somerville, Massachusetts depicts not only his thoughts and personality, but the different arts and professions that he obtained skills in, both as an artist and a pilot, throughout his life. He has a Masters degree in Architecture from MIT and holds a Bachelor’s degree from Goddard College concentrating in Studio Arts and History. Goddard College, located in Plainfield, Vermont, is where he studied drawing, painting and sculpture before he started focusing on architecture and design. He also has experience as a commercial pilot and still flies planes as a recreational activity. He first became interested in art when he was a child of 5 or 6 years old when his mother would buy big rolls of shelf-paper and he would draw on them from one end to the other. At an early age, Imrich was very interested in drawing. As a child, he mainly … [Read more...] about ARTIST SPOTLIGHT: STEVE IMRICH; HIS “TERRAIN DRAWINGS AND PAINTINGS” ON VIEW AT BROAD INSTITUTE CONNECTOR, SOPRAFINA, CAA & BRICKBOTTOM GALLERIES
LONG WEEKEND OR DAY TRIPPING? VISIT NEW BEDFORD’S KILBURN MILL OPEN STUDIOS THIS WEEKEND
This weekend, October 23 and 24, Kilburn Mill Artists are opening their New Bedford art galleries and working studios to the public and invite visitors to explore and view the creative process each day from 10 a.m.-4 p.m. In addition to seeing a wide variety of art works, including fine art painting, printmaking, sculpture, photography, ceramics, textiles and jewelry, the Kilburn Mill, a city within a city, contains three popular well known art galleries offering a collection of individually curated exhibitions. Situated on Clark’s Cove in the South End of New Bedford, Massachusetts, Kilburn Mill is surrounded by the waterfront for which New Bedford is famous (most notably, through Melville’s “Moby Dick”). The Kilburn is an artists’ destination, home to art galleries and studios, as well as an event center. It has become the region’s most versatile space with a rooftop deck providing … [Read more...] about LONG WEEKEND OR DAY TRIPPING? VISIT NEW BEDFORD’S KILBURN MILL OPEN STUDIOS THIS WEEKEND
FARSAD LABBAUF: REVISITING FRAGMENTS & ENTITIES AT THE HIGH LINE NINE GALLERY
I remember, a few years back, pre-pandemic, a show of Farsad Labbauf, in a downtown gallery, showing colorful, linear patterned portraits. But those colorful portraits have taken a back seat to his newfound production of images from his past and Iran’s history, in an honest exploration of what motivates him. His latest show, “Revisiting Fragments and Entities,” sponsored by Roya Khadjavi Projects at High Line Nine Gallery 9.1, New York, N.Y., from September 23 through October 16 reveals his newfound interest in creating myth and stitching together his history. We find images of a ballerina, oil production facilities and old wooden bridges in “Rotation Ceremony #8,” (2000, paper, thread), all symbols of power. The ballerina is upside down, hanging from trapeze-like threaded lines, perhaps symbolizing the upside down and rotating power structure that exists. I think of culture … [Read more...] about FARSAD LABBAUF: REVISITING FRAGMENTS & ENTITIES AT THE HIGH LINE NINE GALLERY
RICHFIELD’S BUDDHA + CHRIST AT GALLERY KAYAFAS CELEBRATES REMEMBERING THE DEAD THROUGH OUR DIFFERENCES
Photographer Robert Richfield’s exhibition “Buddha + Christ” exhibition, on display until October 16 at Gallery Kayafas, depicts burials from different parts of the world including Guatemala, New Mexico, Portugal, France, Spain and Vietnam. When one first hears the name of the exhibition, they may think that the exhibition is going to be some kind of a combination between the two religions of Buddhism and Christianity into a unique beauty. However, “Buddha + Christ” is really about showing the individual beauty of various religions and how they all remember the deceased in different ways. The exhibit also chronicles Robert Richfield’s travels to different parts of the world where he studied different cultures. Regarding his fascination in different religious practices, Richfield is mainly interested in the different ways that different religions and cultures remember the dead. He … [Read more...] about RICHFIELD’S BUDDHA + CHRIST AT GALLERY KAYAFAS CELEBRATES REMEMBERING THE DEAD THROUGH OUR DIFFERENCES
OUR SHARED HUMANITY: AMY FORD’S IN RELATIONSHIP EXHIBITION AT MCLAUGHLIN-HILLS BARN GALLERY
When you think “portrait artist” and the likes of Leonardo da Vinci (“The Mona Lisa”) or Rembrandt (“Self Portrait”) surface, you’re way off base. If you think Vincent Van Gogh (“Self-portrait in Straw Hat”), you’re getting closer. If you think Gustav Klimt (“Portrait of Adele Block Bauer”) you’re staying on track. But when you say “portrait painting” in the context of Seacoast (New Hampshire/Maine) artist Amy Ford, you need to capture an artistic expression more like Chuck Close (pixelated collages) or Picasso (Cubism and fragmentation). And yet, Amy Ford is none of these. She exudes her own poetic essence via her canvases and boards. Ford’s formal training began in the studio of Italian artist, Silvestro Pistolesi, where he instilled the classical Italian sensibilities and discipline so apparent in his work, and early on reflected in Ford’s work. And while Ford immersed herself in … [Read more...] about OUR SHARED HUMANITY: AMY FORD’S IN RELATIONSHIP EXHIBITION AT MCLAUGHLIN-HILLS BARN GALLERY